The parable of two ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ goes like this.

POST: 0030
POETRY
06-23-02022


The parable of two ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ goes like this.

Inside of me there are two ๐–œ๐–”๐–‘๐–›๐–Š๐–˜.

They ๐“ถ๐“ช๐“ด๐“ฎ ๐“ต๐“ธ๐“ฟ๐“ฎ often.

In time, inside of me there are more ๐–œ๐–”๐–‘๐–›๐–Š๐–˜, exponential rumble-tumble ๐“ต๐“ธ๐“ฟ๐“ฎ ๐“ฌ๐“พ๐“ซ๐“ผ. Population growth as my life lives me.



A ๐–œ๐–”๐–‘๐–‹ ๐“ป๐“ฑ๐“ฒ๐”ƒ๐“ธ๐“ถ๐“ฎ expands its threshold over me.

And, inside me, some ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ . . .

( ๐“ณ๐“ธ๐”‚ / ๐“น๐“ฎ๐“ช๐“ฌ๐“ฎ / ๐“ต๐“ธ๐“ฟ๐“ฎ / ๐“ฑ๐“พ๐“ถ๐“ฒ๐“ต๐“ฒ๐“ฝ๐”‚ / ๐“ด๐“ฒ๐“ท๐“ญ๐“ท๐“ฎ๐“ผ๐“ผ / ๐“ฎ๐“ถ๐“น๐“ช๐“ฝ๐“ฑ๐”‚ / ๐“ฐ๐“ฎ๐“ท๐“ฎ๐“ป๐“ธ๐“ผ๐“ฒ๐“ฝ๐”‚ / ๐“ฝ๐“ป๐“พ๐“ฝ๐“ฑ ๐”€๐“ธ๐“ต๐“ฟ๐“ฎ๐“ผ )

. . . seem better than others . . .

( ๐–‹๐–Š๐–†๐–— / ๐–†๐–“๐–Œ๐–Š๐–— / ๐–˜๐–”๐–—๐–—๐–”๐–œ / ๐–—๐–Š๐–Œ๐–—๐–Š๐–™ / ๐–Œ๐–—๐–Š๐–Š๐–‰ / ๐–Œ๐–š๐–Ž๐–‘๐–™ / ๐–—๐–Š๐–˜๐–Š๐–“๐–™๐–’๐–Š๐–“๐–™ / ๐–˜๐–Š๐–‘๐–‹-๐–‰๐–”๐–š๐–‡๐–™ ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ )

Just as, inside me, some parts. . .

( ๐“ณ๐“ธ๐”‚ / ๐“น๐“ฎ๐“ช๐“ฌ๐“ฎ / ๐“ต๐“ธ๐“ฟ๐“ฎ / ๐“ฑ๐“พ๐“ถ๐“ฒ๐“ต๐“ฒ๐“ฝ๐”‚ / ๐“ด๐“ฒ๐“ท๐“ญ๐“ท๐“ฎ๐“ผ๐“ผ / ๐“ฎ๐“ถ๐“น๐“ช๐“ฝ๐“ฑ๐”‚ / ๐“ฐ๐“ฎ๐“ท๐“ฎ๐“ป๐“ธ๐“ผ๐“ฒ๐“ฝ๐”‚ / ๐“ฝ๐“ป๐“พ๐“ฝ๐“ฑ ๐“น๐“ช๐“ป๐“ฝ๐“ผ )

. . . seem better than others . . .

( ๐–‹๐–Š๐–†๐–— / ๐–†๐–“๐–Œ๐–Š๐–— / ๐–˜๐–”๐–—๐–—๐–”๐–œ / ๐–—๐–Š๐–Œ๐–—๐–Š๐–™ / ๐–Œ๐–—๐–Š๐–Š๐–‰ / ๐–Œ๐–š๐–Ž๐–‘๐–™ / ๐–—๐–Š๐–˜๐–Š๐–“๐–™๐–’๐–Š๐–“๐–™ / ๐–˜๐–Š๐–‘๐–‹-๐–‰๐–”๐–š๐–‡๐–™ ๐–•๐–†๐–—๐–™๐–˜)



The parable instructs me to feed the better ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ and starve to death worse ๐–œ๐–”๐–‘๐–›๐–Š๐–˜.

I hear this metaphorical preferential feeding/starvation regiment echoing out of youth NA meetings, corporate wilderness retreats, & insurance subsidized tele-counseling via ๏ปฟ๏ผบ๏ผฏ๏ผฏ๏ผญโ„ข.

This metaphorical preferential feeding/starvation regiment is supposed to be of some therapeutic utility, provided the ๐–œ๐–”๐–‘๐–‹ I choose to nourish is better and the ๐–œ๐–”๐–‘๐–‹ I choose to kill is worse.

This is not my parable, itโ€™s a crยตรชl parable.

Because it takes a long time to starve my ๐–œ๐–”๐–‘๐–‹ and it is longer than I am willing to watch my ๐–œ๐–”๐–‘๐–‹ suffer.

The ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ of this parable are metaphorโ€” the meat I feed them is ๊Žinfinite๊Ž if I choose . . . metaphorically.

I wonโ€™t starve myself, all or part.

I choose ๊Ž infinite ๊Ž meat.

My parable of two ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ goes like this.

Inside of me there are ๐–œ๐–”๐–‘๐–›๐–Š๐–˜.

I toss out meat with abandon.

The ๐–†๐–“๐–Œ๐–—๐–ž ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ stay livid, the ๐“ฑ๐“ช๐“น๐“น๐”‚ ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ stay content, and the ๐–˜๐–†๐–‰ ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ go on whining.

And they ๐“ถ๐“ช๐“ด๐“ฎ ๐“ต๐“ธ๐“ฟ๐“ฎ often.

Making ๐“ต๐“ธ๐“ฟ๐“ฎ ๐“ฌ๐“พ๐“ซ๐“ผ of ever more ambiguous virtue/sin . . .

( ฤŒ๐‘โ“Žฯ๐“แŽฅๅŒš / รนฮทฤแŽฅ๐”ฐ๐œแบธสณเธ ฤฎแ‘Ž๐  / ๐–œ๐–Ž๐–™๐–‘๐–Š๐–˜๐–˜ / ๐›๐“ชา“๐…โ„“โ’พฮฎแŽถ / แ–‡๐“”๏ผถเน๐“๏ฝ•๐•ฅ๐“ฒ๐• ๏ฝŽ๐“ชัั‡ / ฤค๏ผฅ๐’น๐“ธ๐ง๐•šลŸt๏ผฉ๐•” / ๐–Ž๐–“๐–‰๐–š๐–˜๐–™๐–—๐–Ž๐–”๐–š๐–˜ / ๐“ฌ๐“ฒ๐“ป๐“ฌ๐“พ๐“ฒ๐“ฝ๐“ธ๐“พ๐“ผ / ๐“ฐ๐•ฃ๐„๐”ธ๐ญ / ๐“ซ๐“ป๐“ช๐“ฟ๐“ช๐“ญ๐“ธ / ๅŒš๐•†-๐”ก๏ฝ…แ‘ญไน‡๐งแ—ช๐“”แถฐลค / หกเนสธฮฑโ“ / ฮท๐”žฮฏ๐“‹ั” / แ—ชโ“ค๐ฉ๐“›แถค๏ผฃ๐ข๏ผดร˜๏ผต๐’ / โ“Œ๐„แถคโ„โ““ ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ )

I rise up over my metaphor, taking in pack visuals.

The soft & saggy ๐“ป๐“ฑ๐“ฒ๐”ƒ๐“ธ๐“ถ๐“ฎ, the frenzied undulations of the multiplicitous ๐–œ๐–”๐–‘๐–›๐–Š๐–˜.

I hear the ๐–‹๐–Ž๐–Œ๐–๐–™๐–Ž๐–“๐–Œ, ๐“ต๐“ธ๐“ฟ๐“ฒ๐“ท๐“ฐ, ๐™ท๐™พ๐š†๐™ป๐™ธ๐™ฝ๐™ถ cacophony. I hear it as harmonyโ€” a drone to drown in.

And then, I dive in, wearing a ๐“›๐“ช๐“ญ๐”‚ ๐“–๐“ช๐“ฐ๐“ช raw meat dress, double fisting fresh-skinned hairs.

In my mouth, a flaming sacred heart.

Hello ๐–œ๐–”๐–‘๐–›๐–Š๐–˜, Iโ€™m your container & your carrion. Iโ€™m here to feed you my life . . .

โ–‘iโ–‘nโ–‘dโ–‘iโ–‘sโ–‘cโ–‘rโ–‘iโ–‘mโ–‘iโ–‘nโ–‘aโ–‘tโ–‘eโ–‘lโ–‘yโ–‘

I want to become my pack of ๐–œ๐–”๐–‘๐–›๐–Š๐–˜, none shall starve.

You are who you eat.

๏ผฆ๏ฝ…๏ฝ๏ฝ“๏ฝ”๏ผŽ

And when the ๐–œ๐–”๐–‘๐–›๐–Š๐–˜ are snoozing . . . meat drunk . . . quiet & satiated . . . bellies stuffed full of me to bursting . . .

๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜ณ๐˜ถ๐˜ด๐˜ฉ๐˜ฆ๐˜ด ๐˜ถ๐˜ฑ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ฆ๐˜ฆ๐˜ต ๐˜ฎ๐˜ฆ.


โ€œโ€”and I was no longer able to doubt that the lot and the infinite tumult of human life were open to those who could no longer exist as empty eye sockets, but as seer swept away by the overwhelming dream they could not own.โ€ Georges Bataille, Tossa, April 29, 1936